Review of a duo: Bengal Nights & It Does Not Die
“I would like to be able to look Maitreyi in the eyes…” — Bengal Nights, 1933 If you seek a powerful narrative set in postcolonial India, told by two powerful minds, one pair stands to be compared and contrasted. These are Mircea Eliade’s 1933 Bengal Nights and Maitreyi Devi’s […]