Writer
The Elements of Style by Strunk and White rests on my bookshelf like a couple at the beach. Eyes closed, enjoying the sun, a tan, the sounds of the literary world tossed at sea, though thoroughly relaxing. We have all, in our mission for clarity and acuteness, turned to these pages. “The work […]
This blogger knows he is about to walk through a room cluttered with cliches (ex, “Art for art’s sake,” “Business is an art,” “Selling out,” “Get ya money”), but stepping past each one, eyeing them a second, so as to reach the clear corner of the room, to breathe. Today’s target vocabulary: Artistic prostitution, […]
A story is a story, but a narrative is the story plus how you tell it. Genette’s essay titled Narrative Discourse inspires all sorts of thoughts. Mostly, he has me thinking about time. He analyses mood and voice too, but what really makes me shiver is time. For example, a narrator can narrate past […]
“Rick was a bro, a gentleman seen few and far between, of a caliber unknown to the race of man, the headless baton twirler in a parade called Life, a backpacker extraordinaire, a counter-demon and Lord of the Pismire. Rick Callaghan.” (The Summer Abroad, Part III, Chapter 8.) Thus we find Rick, one of […]
Have you ever wondered what makes a great piece of literature? Theorist Viktor Shlovsky believed that what a good story was was this, one that sticks around, plays with us, remains. However, to achieve that “long-lasting effect” in a work of art takes a specific set of devices. Like poetic speech. In our phonetic and […]
(Athena disguised as Mentor, helping the prince.) “Telemachus, no more shyness, this is not the time! We sailed the seas for this, for news of your father — where does he lie buried? what fate did he meet? So go right up to Nestor, breaker of horses. We’ll make him yield the secrets of his […]
It came to my attention that I should focus on deepening my characters. As it goes, things should actually happen in a story. Funny, because I have known for a while that my personages spend a lot of time thinking. What’s wrong with thinking. That some people don’t want to read it. While everyone wants […]
“I would like to be able to look Maitreyi in the eyes…” — Bengal Nights, 1933 For a powerful narrative set in postcolonial India, told by two powerful minds, one pair stands to be compared and contrasted. These are Mircea Eliade’s 1933 Bengal Nights and Maitreyi Devi’s 1974 It Does Not Die. Together, they […]
